Stacking Architectural photography
Stacking Architectural Photographs for property developement clients
Here is my main use of stacking architectural photographs. Often as professional architectural photographers we get frustrated as we are shooting a scene because even with a wide angle lens, we cannot see enough of the top or bottom of the room or the building. The ceiling architecture of rooms are often the calling cards of the architects and the builders, and they want to see their work in the photograph. Shooting with any lens under 17 mm will really start distorting the image on the edges, as a fish eye lens will do. In order to provide my architectural clients with a larger image, I will merge an upper image which features the ceiling, and a lower images which features more of the floor and the foreground. I can do this with the Canon 17 mm tilt shift lens because all I have to do is shift the lens up and down to get these two images.
Photoshop then merges the two seamlessly.
Now I have a master image that is not a 3×2 landscape aspect ratio, which is what comes out of the camera, but instead, depending on my final crop, I get a 1×1 or square image – the same width as the native capture but taller, and often a much taller image than square like a 1 x 1.3 aspect ratio. Suffice it to say that stacking architectural photographs provides my clients with more “real estate” in the image and gives my cleints’ advertising and marketing design team me more latitude to crop vertically or horizontally depending on the need of the ad layout. The images also now has the feel of the kind of image that might come from a medium format camera.
Some recent portraits
- At May 09, 2017
- By Johnny Stevens
- In portrait, portrait photography
- 0
These are some recent portraits I have photographed that both use a soft glow layer in Photoshop but in different ways. The Pumas below were shot at Hilton Head on the beach. When you shoot on the beach on a sunny day, you have to remember that you are shooting not with a large soft box but inside of a large soft box because the sand is kicking light up and all around. So The beach is a great place to start for a hi key style portrait. As the sun was indeed behind them, I knew I would have to add light so my wife held a Canon 600 ex rt shooting through a 24 inch Westcott umbrella just right of camera. The soft glow on this shot was achieved with a gaussian blur layer set to overlay.You can see the soft glow effect more substantially on the back of his and her hair where the sun is the brightest. As a portrait photographer in Austin, I try to determine what style of portrait is best suited for each group or individual.
Another example is Claire’s portrait. I really like her shot out of the box,
but I thought a bit of glow effect would add some contrast and add some drama. It darkened the background at the same time which added even more drama.