Christmas Family Portrait
I had these friends call me just before Christmas day asking if I could find a place to shoot a family portrait they needed to deliver as a gift on Christmas Day. My fireplace worked just fine. Three speedlights did the job. I gelled the speedlights with 1/2 CTO which is a light orange filter. There is a beauty dish on the left, back light above Erika, and a kicker just to the right of Evan. Cue the guitar for filling an empty space. I tried shooting with the fireplace on but they started melting so I added the fire in Photoshop.
Adding light to your portrait subject
When you are adding light to a subject (which I hope you are always doing), things can get complicated quickly. Here is my set up for a simple single light exterior portrait: I like to use the Canon EX 600 RT Speedlight on a light stand bouncing into a umbrella, or shooting through and umbrella. Nikon has similar speed lights that are easily triggered wirelessly from a Nikon trigger mounted on your camera. The Canon wireless trigger is the ST-E3-RT. Here is one method I use when shooting outdoors that really helps get nice results without having to scratch your head about your camera and flash settings in front of the client. Scratching your head does not help keep the subject calm and happy!
Find a shaded area for the subject and decide on the background. Find an angle on the background only and meter it (or just shoot the background in Program mode with an open f stop of f 2.8 or f 4. (The open f stop will help blur the background for a pleasant effect…..and a longer lens will accentuate the blurred background. 70 to 100 mm focal length is always safe for portraits.) Let’s say you are shooting at ISO 100 and it is a sunny day. Your metered shot of the background at a shutter speed of 125 (fast enough to hand hold your 100 mm lens and not get hand shake blur) will be around f8 or f11. Let’s say it is f8. Now put your camera in manual mode with the same settings – ISO 100, shutter speed 125 and f stop at f8. You already know that these are the perfect settings for the background. You know that the background exposure will never change. It is set. No longer do you have to worry about the background. OK so now, your wireless trigger on the camera will also be on manual. Your trigger will automatically tell the flash to fire in manual too. Set your trigger on your camera to a flash output of half power to start. If you have a light meter, you can determine exactly how much light the flash is putting on the subject. If you don’t then you can just eyeball the test shot to see how the light falling on the subject. You are looking for an f stop that is AT LEAST what it is for the background which you have already determined is f8. Better yet, bump up the subject to f8.5 or f11 because we always want the subject to be the brightest part of the image since the bright area is where our eyes naturally go first when we look at a photo. Now, this means the background will be a bit darker than the subject, which adds drama. Click away and ask the subject to face the umbrella and to face away from it so you can get both short lighting and broad lighting options. I like to start sessions by asking for NO smile. This is easier for anxious subjects to get started, and often is the most accurate representation of them. I constantly compliment them – sometimes showing them the images on the back of the camera – and ramp up the smile by asking them to “turn up the volume”. After 20 or 30 shots with these techniques you are sure to get 5 keepers!
Simple Photographer’s Contract
It’s not often I need to use a contract but it came up recently and thought it may be helpful to other photographers to have a scaled down simple 2 page agreement. Here is one you can just copy and paste. There is an option to ask for ½ of the fees up front which you can delete if you are comfortable with billing out on 30 day terms, as I generally do. Also there is a model clause that you can delete unless you are shooting people (portraits) or models. I used some real numbers in the estimate of fees that you can change out for your own purposes. Here you go:
This agreement is between ____________________________(hereafter “Photographer” “the Photographer” or “Photography Company”)
and ____________________ (hereafter referred to as “CLIENT”).
Scope of Work:
This contract is for services and products related to a photography shoot (hereafter “shoot” or “the shoot”) to take place at the following time and place:
__________________________________________________________
PHOTOGRAPHER will also perform retouching, post-processing or digital image editing services on these photos where artistically necessary. The final post production and editing styles, effects, and overall look of the images are left to the discretion of the Photographer.
Fees:
In consideration for the photography services provided by PHOTOGRAPHER, CLIENT agrees to pay the sum of
Photographer and gear | $1,600 / day | .5 days | $800 |
Photoshop retouching | $95 / hr. | 3 hrs. | $285 |
TOTAL Estimate | $1,085 |
CLIENT agrees to pay the photographer $___________ which is due within 30 days of the day of the SHOOT.
[[Option: CLIENT agrees to pay the photographer ___________ or the initial payment totaling 50% (fifty-percent) of the total price of the photography services upon signing this contract. The balance of the payment for photography services must be paid in full no later than 30 days after the SHOOT]]
If CLIENT is required to purchase photos separately after the SHOOT, payment for those photos is due immediately upon delivery of photos to client.
Expenses:
When applicable, the CLIENT is responsible for all travel, accommodation, meal and transport costs unless provided by the CLIENT.
Travel Expenses:
All travel expenses are based on the distance between the location(s) and the Photographer’s studio address. The first 10 miles roundtrip of travel are included. All miles in excess of 10 miles roundtrip are charged at $.58 per mile.
Delivery:
PHOTOGRAPHER will deliver review jpegs (proofs) of photos to CLIENT no more than 3 days after the date of the SHOOT. Final images to be delivered to CLIENT will be hi resolution TIFFs or JPEG images.
Image Rights:
The photographs produced by Photographer are protected by Federal Copyright Law (all rights reserved) and may not be reproduced, shared or sold in any manner without the Photographers explicitly written permission. Photographer extends to client perpetual rights to all images for use online and/or print for the purposes of promoting the CLIENT Company. Photographer will retain full rights to same images for the purposes of selling rights to vendors or for the purposes of promoting Photographer’s website and business.
Indemnification:
If PHOTOGRAPHER is unable to perform the services in this contract due to any cause outside its control, CLIENT agrees to indemnify photographer for any loss damage or liability; however, PHOTOGRAPHER will return in full all payments made by CLIENT to PHOTOGRAPHER in relation to this SHOOT.
CLIENT agrees to indemnify and hold harmless PHOTOGRAPHER for any liability, damage, or loss related to technological failure, including data loss.
CLIENT understands and agrees that PHOTOGRAPHER is not required to maintain copies of the photos from this shoot one year after the photos have been delivered to CLIENT.
CLIENT agrees to hold PHOTOGRAPHER harmless for any personal injury which may occur.
Duty of Client
CLIENT will obtain all permissions necessary for PHOTOGRAPHER to photograph at the SHOOT. PHOTOGRAPHER has no duty to obtain permissions for locations. CLIENT understands and agrees that any failure to obtain these permissions resulting in fines to photographer, or which prevent photographer from photographing the event(s) is not the fault, liability, or responsibility of photographer.
[[Optional for Portraits: Model Release
CLIENT grants permission to PHOTOGRAPHER and its assigns, licensees, and sublicensees, permission to use CLIENT’S image or likeness in any and all forms of media for commercial purposes, advertising, trade, personal use, or any and all other uses. Therefore, PHOTOGRAPHER may use CLIENT’S likeness and image on PHOTOGRAPHER’S website or other advertising. PHOTOGRAPHER may sell photos containing CLIENT’S likeness to third parties.]]
PHOTOGRAPHER Signature __________________________________________________
Date: ___________________________
CLIENT Signature: ______________________________________________________________
Date: ____________________________